STUDIONONSTOP

7/4/11-24/4/11

ANNA JOHN
IAKOVOS AMPERIDIS
LISA KELLY
SACH CATTS

55 Sydenham Rd
Marrickville NSW 2204 AU

Life Signs

1. Throughway for a lizard

On the 2nd of March I made a first visit to 55 Sydenham Rd. We sat in the space and had a long chat about the effort that went into renovating and constructing the studios and gallery, what kind of work we were doing when we were both in the M.H Franks Upholstery building studios in Camperdown back in the Nineties and the increasing drift of artist-run spaces out to Marrickville. We reflected on the disquieting role of artist-run initiatives in the gentrification of neighbourhoods – triggering the urban change that ultimately displaces artists and other poorer locals.

Looking around the room for points of interest, I found a small hole passing right through the concrete floor to the level below. It was described how during the months of building work a lizard was seen coming up through this hole, crossing the room and under the wall to another part of the building.

A hole in the new gallery wall temporarily restores the potential passage of a lizard across the upper floor of an industrial warehouse building in Marrickville.

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photo: Lucas Ihlein

Moving the steel tree guards made for The Lively Plane (continued) over to the Tending garden for a second life as supports for climbers.

photo: Lucas Ihlein

Positioning the frames around the three palm trees in the SCA courtyard and noticing surprisingly old initials and dates carved into two of the trunks – W.L. 19-1-44, W.L. 11-10-46, D.M. 1-12-44, among others.

THE LAB

Open residency project
Ocular Lab
West Brunswick

WEEK FOUR

NOTES.

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Adding the post-dinner loo bucket full of wet sawdust and wee to the growing heap. Seeing my regular route through the weeds now visible as a pathway at the compost site. Replacing the toilet bucket, topping up sawdust and cleaning the loo.

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THE LAB

Open residency project
Ocular Lab
West Brunswick

WEEK THREE

NOTES.

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Riding week two’s collected toilet and organic material back to the compost site on Thea’s bike as honey-wagon. Weeding the overgrown house garden and feeding it to the heap, enjoying time in the sun and air outside in this grassy meadow.

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THE LAB

Open residency project
Ocular Lab
West Brunswick

WEEK TWO

NOTES.

|
Clover seeds pushing up through soil and sprouting.

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The red rose Bianca brought on my first day, opening and changing.

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THE LAB

Open residency project
Ocular Lab
West Brunswick

WEEK ONE

NOTES.

|
For the first week it felt right to observe things as they were in the Lab. The given conditions, the objects in the room when I arrived – a plinth, a ladder, a trestle table, an amplifier and some foam – and the movement of light and air into and through the space. It was surprising how much was going on in and at the edges of an empty room. I felt no need to remove the objects, figuring I’d wait to see who had left them and what they might be useful for. For the first few days I was strongly mindful of the practices of Thea Rechner and John Borley, as I paid attention to air and light and sat on the front step with the doors open making eye contact with passing drivers.

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THE LAB

For the month of October Lisa Kelly will be developing an open residency project at Ocular Lab, Brunswick West, Melbourne. Less an exhibition than a set of actions, processes, reading and renewal, THE LAB will draw on the Lab’s past use as a private artists studio and observe its shift to a public gallery. Combining the dual purposes of work and presentation space while being attentive to the specific conditions of the site, Kelly will engage in simple process cycles that annex the basic functions of a public venue. Areas of exploration will include onsite waste, streetfront visibility and natural lighting.

This project for Ocular Lab continues the artist’s practice of using critical frameworks to investigate the institutions her work is hosted by. In 2008 her project THE__HALL explored the re-purposing of a community hall into an art gallery by a local council.

Ocular Lab
31 Pearson Street
Brunswick West
VIC

Open & in progress:
Wednesday to Sunday 1pm-5pm
10th October to 1st November.

Closing gathering:
Saturday 31st October 3-5pm

week one.

week two.

week three.

week four.

week five.

week six.

week seven.

week eight.

week nine.

week ten.

Wild Sown Understorey

Seeding action, project document & climate almanac.

February-April 2009

wBST
West Brunswick Sculpture Triennial
curated by OSW
March-April 2009
Melbourne, Australia

download wBST poster pdf [48KB]

Wild Sown Understorey is a seeding action for the front yard of 135 Union St, West Brunswick. In February green manure crop seeds were cast, and the grass left to grow until the close of the wBST. The potential for a shaggy transformation of suburban ground will lay dormant or flourish according to rainfall, becoming a simultaneous ten-week weather index. Using the methods of natural farmer Masanobu Fukuoka, the project plays out between disturbance to a lawn-scape, land remediation and productivity, the absence of wildness, probable failure and climate change.

Project document & climate almanac.

A6-ish ha-ha foldout with weeks one-ten card series
single colour printing in brown, blue and teal
printed with love on The Rizzeria
edition of 100
copies available ~ contact l kell 88 [at] gmail dot com
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week 3.

2.
Field
Work

Lisa Kelly
Dennis Tan

4th – 18th October 2008
open & in progress wed-sun 11-5pm

opening event: Friday 3rd October 6-8pm
closing event: Saturday 18th October 2pm til sunset

Chrissie Cotter Gallery
[rear of Camperdown Bowling Club]
Pidcock St Camperdown NSW 2050

room plan [32KB] & room list [80KB] as at opening

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We Pollute – working notes, Milano 2003

1. Banner (polvere) 2003
remnant fabric, thread, timber, wire
2. Sign 2003
found timber & plastic, cable ties, fabric, thread, sand, hardware
3. Untitled 1 & 2 2003
found plastics & timber, dowel, cement
4. Lock 2003
chain, padlock, fabric, thread

Australia Council Milan studio residency, Viafarini
december 2002 – february 2003

Three months in Milan at a time the city was announced the most polluted in western Europe. Compulsory car-free days and homemade banners declaring NO ALLO SMOG slung out of palazzo windows. Works improvised from rubbish and remnants, placed and abandoned as additions to the shifting body of flotsam.